This is the complete installation depicting an artist’s studio, and her ongoing research on the connections between Chinese ink art and Western conceptual art.

After Singaporean artist Cheo Chai Hiang’s 5' x 5' (Inched Deep) 1972
This work was conceived after interacting with Cheo Chai Hiang, for an exhibition requiring artists to create a work departing from a blank sketch book.
Presented at Where is the Line? exhibition, 2018

A 3-dimensional painting. Chinese ink and rice paper
Also as a digital print of photograph.

60 x 85 x 5 cm, an installation, rice paper

Ink on paper
69 x 138 cm

Ink on paper
69 x 138 cm

This work presents abstraction from the paper boat drawings, while building on calligraphic strokes. It suggests drawings and paintings as expressions of visual likeness and more. The inscriptions from the LatterRed Cliff Rhapsodyare about going with the flow, resonating with the drawing’s musical inspiration.

Ink on paper
69 x 138 cm

This work abstracts from formal likeness even further with expression and different line and surface qualities.

Ink on paper
69 x 138 cm

The combination of painting and literary writing refers to the Chinese ink painting tradition. On the surface, the spontaneously authored essay explains the Chinese ink painting process, the series and my artistic aspirations, but is really a reflection on the transience and irrevocability of life.

Ink on paper
35 x 138 cm

This classical Chinese calligraphy is of a lyrical prose by Su Shi, relating a boating experience, and ideas about transience.

临文征明书